LOVE New York Times article “Glamorous Grandmas of Instagram”....‘We aren’t going to be little old ladies sitting in a nursing home or we’ll be there with our marijuana, our health foods & our great sense of style’ THANKS @nytimes & @ruthlaferla & pic @georgesantoni #nytimes #jennykee #advancedstyle
71-year old knitwear designer, Jenny Kee is one of the New York Times' picks for glamorous grandma of Instagram.
A fashion icon all the way from Australia, Kee has never been outcasted generations by generations.
She was born in Bondi to a Chinese dad and 6th generation Aussie mother of Italian/Anglo Saxon descent. Kee started her career in fashion mainly in modeling. She was even featured as the face of Canadian Airlines ads.
Kee isn't just a national form symbol yet a persevering figure on account of her brilliant, varied style and combination of design and craftsmanship; a vocation that began by offering ethnic and retro dress, castoff Dior and Indian weavings in 1960's London was continually going to be beautiful.
Despite aging her beauty and taste in fashion remain effervescent.
Kee enlisted at the East Sydney Technical College in 1963 and contemplated form plan, anyway her adoration for outlandish hues and outlines was a distinct difference with the nonpartisan kind of Australian design at the time.
Her epiphany came when she saw Thai-silk two-pieces being made in Surfer's Paradise. In the wake of meeting The Beatles and bedding John Lennon, she hot-footed it to London in 1965 where she worked with Vernon Lambert --- an antique-garments merchant and feature writer for L'Uomo Vogue, in his Chelsea Antique Market offering vintage couture. In 1972 Kee was seen coming back to Australia and open her boutique, Flamingo Park.
Linda Jackson AO & Jenny Kee AO | Image from Instagram @jennykeeoz
The accomplishment of the boutique drew form and material architect Linda Jackson to Kee and together they made the notorious Kee bright fleece jumpers. In the wake of surviving the Granville prepare crash in 1972, Kee started painting as an approach to adapt.
The pictures --- of winged creatures, blossoms, opals and tropical fish --- were screen imprinted onto silks.
In 1977 these silks were given a full spread in Italian Vogue and were utilized by Chanel in Paris. Kee's mark is her red lips, motivated by the local Australian bloom, the waratah.